Some reading this may well conclude that I am either a heathen or, perhaps, a philistine – maybe even both. (My use of both heathen and philistine should count in my favour though).
However, let’s get it out of the way early. I don’t rate Shakespeare at all. So you can imagine my level of enthusiasm when it was suggested that we go with friends to see Twelfth Night at The Globe in London. I’m a firm believer that experiences are a great way to happiness and so I classed this visit in the same bucket, although I went along with more hope than expectation.
I nearly had a last minute reprieve when the friends we were going with, who also had the tickets, were delayed on the train into Waterloo. This last glimmer of hope was dashed as they ran from the station to the theatre arriving just as the bell was sounding for us to take our seats. Well, when I say “seats” I mean hard wooden benches. There are, no doubt, prisons in Siberia with more conformable seating arrangements. Nevertheless even this was preferable to the standing area at the front given the continual rain that fell on them during the play.
And then it began and the biggest shock was that Shakespeare seemed to have written a camp musical set in Scotland. Lots of jolly sailors with flags dancing to 70’s disco and some bloke with an impressive chest dressed up in a glittery dress and huge wig. I don’t mind a camp musical at all, I’ve seen a few in my time, but add the Bard’s impenetrable prose on top of that and you have an almighty mess.
Now, to be fair, everyone else seemed to be having a good time and laughing away so it could just be me but I don’t think so. Everyone else had simply been brainwashed into believing the “Shakespeare is the greatest playwright” schtick.
Our next trip to the theatre is to see Young Marx, the next play by Richard Bean – now there’s a playwright!